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where chairs like the Gala became sculptural distillations of his spatial thinking — works that carried the same conceptual force and geometric clarity as his buildings
through traditional weaving methods
Designed by Alan Rojas and Caterina Moretti
shows with greater importance the ancient lake of Tenochtitlán
echoing ancestral frameworks for ceremony and balance
MITLA BAJO Color:Tierra where chairs like the GalaThe Kajaal Collection explores death not as an end, but as transformationa return to essence. The Mitla Bajo and Mitla Alto pieces reference Mitla, the sacred Zapotec site whose name means place of the dead, reinterpreting its symbolism through contemporary materiality.
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